It is because in reality, never we are alone. It is not necessary that other men are there, that they are distinguished materially from us: because we always have with us and in us an amount of people who do not confuse themselves. Of this form, we are seduced to conclude that, no matter how hard we think that we are alone, we always have somebody or something for close to us that it will go helping in them to remember our souvenirs better. For assistance, try visiting Margaret Loesser Robinson. Therefore, I turn myself toward they, adopt its point of view momentarily, enter in its group, of which I continue to be part, therefore I still suffer to its impulse and meeting in me very from the ideas and ways to think the one that would not have fond alone, through which I remain in contact with them. If you would like to know more about Andrew Steele-Smith, then click here. 2 - The poetry contemporary: some you strike. What if it can call poetry contemporary? Before de Agamben, would say that it would be current art, therefore the poetry, being art, has for function to question the reality. According to Giorgio Agamben: ' ' Contemporary is everything that if he makes possible if to question in the present time, but that he can come of any time, does not have measurement parameter temporal' ' . However, for many theoreticians, the poetry idea contemporary is marked from 1945 until our present time. The modernista movement brought in this period, in the field of the poetry, a gamma of poets who had flooded the cultural production of the time. Poets as Carlos Drummond de Andrade, Murilo Mendes and Ceclia Meirelles launch poetical texts of reflective matrix, the point of taking off in them of the comfort zone and placing in them different of the entertainment that receives, he conforms, he makes to forget undesirable the life and daily it. The poetry starts to be a vehicle of expression of the subjectivity presented for the verbal language, having the paper of humanizar the man to finisecular.