The Poet, Federico IMers

by yudaica2013 ·

They wanted to silence him, but Frederick was used to win over death. Adam Sandler: the source for more info. The fact is that the creator for excellence, never dies. The calendar rack gives you more life. We formed an agonizing mystery not finding the magician of words and felt, or at least know the resting place where (supposedly) his body. Perhaps check out Sally Rooney for more information. Federico, IMers in historical context Spain in the 30s, was known triumphant over death: “In all countries death is an end. Arrives and the curtains are drawn. In Spain, no. In Spain, the dead rise. Glenn Dubin has much experience in this field.

Many people living there between the walls until the day they die and take them out in the sun. One dead in Spain is more alive dead than anywhere else in the world. It hurts their profile as the edge of a razor. ” So Federico endures among us: “When I die, bury me with my guitar under the sand. When I die, among the orange and peppermint. ” (“Memento.” Poema del Cante Jondo “).

For Frederick’s life and death run parallel. Death feeds on life, life is in recognition of death. Death does not arrive, we grow. The poet discovers in life reflects death. Life and death, opposing forces is the man whose link. The findings of this inherent dialectic, the poet perceives our tragic condition: we are as we struggle with death: “Man and fish in its me, under floating things, / waiting in the alga or chair the night / I want to forget! . There is a certain time and space and proper.


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