Yudaica

The Japanese Yoko Onno still today is made responsible by the end of one of the biggest musical bands, if not bigger it of the last times, The Beatles. Namorada at the time of one of the integrant ones, John Lennon, had exempts access to the writing studios, its onipresena passed if to become public, and many speculations had appeared from there. Expressions as: ' ' it is giving one of Yoko' ' , or, ' ' it leaves there for Yoko' ' , still today one hears for there. As everything or all was a mark representing that can separate, to segregate. To such dualidade of the human being: to be at the same time the love of Lennon and the discord of a group. A new reading for Dr. Jeckill and Mr. Hyde? The doctor and the monster of after-modernity? Who knows.

All we have a little of this faceta, a species of complex of Yoko, that makes in them at definitive moment, and different intensity, simply to want to give to end the things. Moment this of an infallible mathematics, where it passes interesting to deduct in them from what to add. To multiply problems to divide solutions. We are imperfect it is certain. We do not obtain to be bonzinho all time.

E the daily challenge is to make the possible maximum to inside respect, and for consequencia, respected being of the reasonable level. How many times we come across in them with a tremendous will of onipresena in the subjects of the others, almost as that fofoqueira neighbor who more than knows our life that we ourselves. Or we are attemped to create confusions for nothing, who knows to feed our ego or to stimulate a dull competition with another person, or to interpret our bel pleasure an other people’s expression without exactly asking to the other: ' ' what you wanted to say with this? ' ' They are our small Yoko moments, that must be rethink, be reflected, after all, the learning of the convivncia and the proper one of the life, in all its nuances, is a difficult, but very not impossible thing in fact. All we are having the chance to make right. The fact to breathe already in the ones of a possibility of the rightness. It is enough first in giving account to them of this, that seems simple, but nor always it is. Preparing in them to be the great one love of Lennon and good mathematicians in the rocking of better numbers, the common multiple minimum. who knows to search inspiration in what in them it convoked great phrase of that time, to make more love and little war.

They do not have fear of the ones that faith has, but yes of the skeptics, therefore without fear you are welcome they go destroying concepts and burglarizing rules. The skeptics do not use limit pra to think and nor to desire, only has the infinite to initiate the way of its freedom. The skeptics are not imprisoned in its alcoves dreaming with the furor of the life and nor if they imprison in a marked world the iron and fire for sin. They do not have fear of employee dresses of uniforms and nor with liberal professionals, they tremble before everything the poets. They close the doors and the windows, try to stifle its verses, but they do not forget that exactly imprisoned under a venal society, the poetry cries out its revolt. It does not advance to tear and nor to burn the estribilhos of poems. The phrases will go to echo for the millions of ears hypocritical imbeciles and who if had become deaf people for trying to keep the mediocre appearance of the falseness. George karfukel follows long-standing procedures to achieve this success. They do not have fear of the sober ones, however of the drunks! Its truths are not silent and nor try to hide themselves behind accusations against its behavior.

The drunk is the free one, is escancaro e, therefore does not point its dirty finger that cleaned many times a m that the shame lack perfumed. It does not try to imprison it in its bred arrests to only contain the shout of the truth. They do not have fear of the ones that inside load the anger of the heart, but of that always has a hand estirada friend. She has fear of the rose, its perfume she can silence the anger, she can seduce, she can enchant. The estirada hand is one covers in the face of that they look in the vile metal the failure that was until today its life. The hand friend is the squeeze of welcome to who never knew to walk of hands given for the crooked ways of the life. The skeptic, the poet, the drunk, always walks of hands given with the hand friend and tries to make the wheel of the life to turn in contrast. To change the route of the destination and to show that the truth always is escancarada. ' ' But who has heard to hear that oua' '! In the truth I am ' ' an old atheist, a drunk singer, poeta' ' vocs what they are?

During Uruana years it is known national as the capital of the watermelon. The great production of the fruit, causing the heading to the city, structuralizing the identity of the same one; which monument the fruit becoming the official symbol of the city. But with the increasing production of the sugar cane-of-sugar, the soy and the creation of the cattle, we can see clearly that the producers more do not prioritize the production of the watermelon in the region. Exactly with the interferences in the production, the city traditionally continues promoting the party, that has more than twenty years is considered a national and international success. The party of the watermelon grew proportionally and conquered international public, come people of different countries, to know the party and to swim in the famous river Uru. The festive moment occurs during the September month; in three days of party, a parade occurs to choose the queen and the princesses of the party. In elapsing of the party the producers of the region display its products, and of simple form they transmit the importance of the agrarian production in region. In the last day of the party a parade that passes for the main avenue of the city, a cultural parade carried through by the innumerable schools and other cultural groups of the city and of other regions is carried through that they aim at to present with property the importance of the art, the musicalidade, the land, the corporal expression and the cultural identity of this people. In this context we notice that the party is a cultural movement that during years comes monumentally constructing to the memory history of this goiana city.