Archive for July, 2012

07.16
12

Minas Gerais

by yudaica2013 ·

Its poems are marked by the musicalidade (constant use of aliteraes), for the individualism, for the sensualismo, to the times for the desperation, the times for the pacification, beyond an obsession for the white color. It is certain that innumerable references to the white color meet, as well as a transparency, to the translucidez, the cloudiness and to brightness, and to many other colors, all always gifts in its verses. In the aspect of influences of the symbolism, an amalgam is noticed that conflui waters of the Satanism of Baudelaire to the espiritualismo on in such a way the effective aesthetic trends as the phases in the life of the author. When Cruz and Souza say ' ' brancura' ' , she is necessary to appeal to the highest meanings of this word, much beyond the color in itself. Alfonso Enrique of the Guimares Coast, was born in Ouro Preto, Minas Gerais, in 24 of July of 1870 and died, in Mariana, the 15 of July of 1921.

Ouro Preto was the scene of the first years of the life of the Poet who since its infancy gave signals of extreme sensitivity and accented introversion. Considered one of the great names of the mstico Symbolism, and for times of the Brazilian poets, Alphonsus de Guimaraens dealt with in its verses love, death and religiosidade. The death of its Constana fianc, in 1888, marked deeply its life and its workmanship, whose verses, melancholic and musical, are repletos of angels, serafins, purple colors and virgin deceased. Its sonetos present one classic structure, and is deeply religious and sensible in the measure where it explores the direction of the death, of the impossible love, the solitude and the inaptao to the world. However, the mstico tone ahead prints in its workmanship a feeling of acceptance and resignation of the proper life, of the sufferings and pains.

07.10
12

Carlos Enrique Axe

by yudaica2013 ·

However, exactly that the visitor does not make use of this type of information, it will be able to explore its sensations and perceptions, for visualizaes offered for poems in set. In certain way, the decurrent reflections of such interactions could be directed in other more immediate directions or not. Of a feeling of a poetry where if it steps on, it is given to the visitor this power, to a feeling to have entered in arenaceous land (conferred for the video), and therefore, demanding in the cares, it is the body of ' ' estrangeiro' ' , almost intruder (it will not be for being able to recognize the linguistic code, exactly that of it does not have knowledge, the Portuguese language as reference), that the stiletto becomes, or pencil, or still, brush, and who knows, in the tips of the fingers of its feet, winged, without disrespecting the touch of a musical keyboard or not, /paciente agent of the displacements of and for airs of the corpus ' ' in exposio' '. III? Poetry, exposition and degustations Would say that the space of the edges would be the not-place of the ticket of the contents; temporary place, of where a provisory dimension emerges between contents that do not stop of if transforming, and where these will be captured, provisorily, of form to be read in its interseces, becoming fluid itself, after that, to assume a new nature. (Carlos Enrique Axe) In an apparent jib in the time, the slap-up meal ' ' exposto' ' for the workmanships in question, to the wait of the visitor, he survives to the time of the absence, giving to the poetry of Ver, the Being, Ler, and ' ' estar' ' , the condition of onipotncia, capable to still explore powers suggested for the letters and in state of latencies at least visualized.

07.4
12

Antonio Borges

by yudaica2013 ·

In this process of learning, of negotiations and productions of consensus it was normal that excesses were cometidos.' ' 7 and certain that the press had great influence, in the attitudes of the population of the Empire, and even though the civic commemorations that already were traditions of this colonial time that take another character in its cortejos, where the elite of the city showed to its allegiance to the monarch or its ' ' servilismo' ' 8 In the night of 25 for 26 of March of 1830 had significant changes in the festejos of the First Reign. Liberal (exaltados and moderate) they leave to the streets to commemorate the sixth anniversary of the oath of the constitution, with festejos, burning of fogos, in the squares congregated great I number of inhabitants to give alive singing hymns to the emperor. living had illuminated the windows, was even so not invited officially by the city council. 9 and in March of 1831 the news published on the return of D Peter of the Minas Gerais, takes the city during days 11, 12, 12 to be illuminated, also had many fogos of artifice music bands. ' ' The entrance publica' ' (military parade, You Dum and kisses hand) it congregated a good parcel of the population.

more according to Antonio Borges of the Fonseca, exaltado journalist and editor of the Republico, saw something different: ' ' never vi accompaniment more worthless, and on purpose if it would not make ummelhor offends to the Imperadorque in this day alone seemed emperor of the sailors. The 400 500 sailors, of jacket one others of rodaques, others of casaca and almost all of slippers, and much esmolada mind proceeded surely to coche imperial dresses. Beyond the troop who for obligation came forced, nor if only avia Brazilian one, and all age marine and molecagem, that came giving alive mui ragged, whose ways very had envergonharao Imperador.' ' 10 Is certain that these notice caused impacts in the population and the press being the media of great relevance, leading the streets feelings and making with that internal revolts appeared between the population.