Archive for June, 2015

06.29
15

Poetry

by yudaica2013 ·

If one day will be sad, Not if it discourages It leaves to roll in the eyes a tear, heart one prece and the mouth a poetry Therefore the ones are not cowards that cry for love, But yes the ones that they from fear do not love crying. The ways of the life do not take me as I wanted. The roads of my heart Make as many curves. I cover the way of the solitude, Desperate, sad, inconsolvel. I do not know what to make, the sky fell down on me, the world gave the coasts to me. The fear of the walked one, the fear of looking at pra front, consumes me to Everything. It does not have nobody looking at for me possessed me to the egoism.

My friend is pain. As the ways of the life are obscure. As we are egoistic in as much fondness. How not to fear? The abysses that wait in them. How to dream? If to each step it has a rock and in each flower, a thorn. When and as we will reach the true happiness EWALD KOCH

06.18
15

Ildone Poetry

by yudaica2013 ·

Although the poetical one of Ildone to give sufficiently emphasis to the form and to a choice to vocabular sufficiently refined, it also cannot be defined as modern of the third generation, therefore, correlating with saying of above-mentioned Coutinho (concerning the last resqucios of the modernismo to appear approximately up to 1956,), it possesss marcantes traces of the poetry contemporary, in accordance with what Francisco defends Pablo Mendes (2001), as we will see to follow. The agreement of Pablo Mendes (2001) concerning the poetry contemporary, who incases itself in the poetry of Jose Ildone, is of that all poet is a man of its time, portraying, therefore, in its poetry, not only the reality in which is immersed, as well as, its internal drama, spiritual. For in such a way, the poet uses of a language and a form (structure) poetical adjusted to the substance of its poetry; this is the basic question so that a poet if it does not submit to the convencionalismo, establishing its choices as principles and laws, a time that must it only be faithful to the poetical substance with which it works, having ' ' as its only principle the untiring search of the adequate form to the substance of its poesia' ' (MENDES, 2001:195). Thus being? having in mind that the poetry contemporary characterizes for the search of the poet for a poetical balance and consolidation by means of the use of all the existing resources already, is they of Classic, Romantic origin, Parnasiana, Simbolista or Moderna? , exactly that, pparently, the poems of Jose Ildone can demonstrate a return to the past, more specifically to the parnasianas poetical choices, in accordance with what claims Mendes, are clearly that, in the reality, the fact of Ildone to have opted in writing in the way as wrote, using the resources widely of that the Parnasianismo was served, in nothing excludes the veracity of if affirming that its production is contemporary, a time that is exactly this that characterizes this poetry: this mixture, mixture between the resources presented and excessively used in the past with those most current ones, reaching, thus, the poetical fullness.

06.7
15

MATHEMATICS Understanding

by yudaica2013 ·

This work very must some people, for diverse reasons, then I would like to be thankful mainly: The GOD, for having given to all the necessary blessings to me, beyond everything, health, force to aguentar the dawns in clearly and much courage to continue always in front. My familiar ones for stimulating uninterruptedly me in the studies and, consequentemente, the search of the knowledge, since the most moved away until next, as it is the case of my Alzira Grandmother, who always helped me very, mainly financially, with regard to the studies. My Alair mother, fort and warrior, gave the best conditions to me of life, transforming me into a true citizen, knowing to respect the differences, exactly, to the times, not agreeing to them. My Elysngela sister, who always espelhou itself in me of special form, always searching a control point in the hours of difficulty in the studies, mainly in the exercises of the college in it disciplines of Mathematics..

06.5
15

Already Hearing

by yudaica2013 ·

The bats in general possess a developed hearing highly, this because they possess a brain adapted and specialized to its way of life (Figure 6). Figure 6. Bat emitting ultrasonic waves Source: DURN, 2005, p.239 Already the aquatic vertebrates, as dolphins and whales, present high degree of development of the ecolocalizao. As the sound if propagates in the water the 1,500 m/s, in 2s a whale can see objects to the 1,500 distance m. Figure 7 shows the dolphin that to if approaching to obstacles, perceives the position of them, emitting and receiving sounds. Figure 7. The dolphin perceiving the obstacle Source: DURN, 2005, p.241 the SYSTEM OF HEARING REPRESENTED IN the CINEMA? DEMOLISHING FILM (DARE DEVIL) Until we made a study of the hearing and its importance in such a way for the man how much for some animals here.

We verify that the mechanical waves are the mat-laugh-cousin who enters in the auditory device, and this in turn, through physical and biological phenomena, transforms into sounds. The result of this chain of mecanoeltricas relations had been presented in the cinema, in the DEMOLISHING film (Dare Devil), where principal actor (Well Afleck) in the paper super-hero, suffers an accident in the infancy leaves that it blind. Eleento starts to develop its other directions, in special, its hearing. When adult it starts to make justice as a masked hero. But it is blind, and this, nobody perceives. It puts into motion with agility and ' ' v' ' the things through the magnetic waves, generated for its special cane, that it beats in the soil or the objects, generating waves that return it, and that with desnvolvimen it to you of its receiving system, it ' ' enxerga' ' through these waves, as well as me – cergos and the cetceos. It has a moment in the film where rains, and drops d? water falls on the face of the loved one of the hero, and the sound of the drops falling creates a field of waves that makes possible it ' ' enxergar' ' the contour of the face of it.