Archive for July, 2013


Erqueyez Art

by yudaica2013 ·

The Saharan desert will host this winter workshops on creativity, artistic techniques and archaeology encompassed within the second edition of ARTifariti, the international art encounters in territories liberated from the Western Sahara which will take place from November 22 to December 6, 2008. A unique proposal that will take its participants to a fertile, in the middle of the desert, for the exchange of ideas and experiences; an art space that places the need to transform the reality in its sights. The program, open to the participation of students, artists and people interested in art as an instrument of peace, is composed of courses: understanding of infinity as a work of art. The fabric of the dream and emotion, a creativity workshop according to the school of Alejandro Jodorowsky taught by Galician artist Pamen Pereira; Workshop techniques and pictorial procedures, in which Eduardo Romaguera promote plastics and creative resources of the participating in a space desert, among other actions by drawing a map of singular stones leading to the archaeological complex of Erqueyez; To create art and art to share, two workshops under the general name of projected art: the ephemeral nature of the color and the shape will lead the Meta-sintesis group with its approach of social art for change. Also has been called a classroom of archaeology called Erqueyez: training of guides and interpreters, whose main objective is to train local personnel for the preservation, interpretation and public dissemination of this archaeological site. This workshop, taught by Teresa Muniz, Member of the program of research on the complex developed by the University of Granada with the support of the Junta de Andalucia, is also open to the participation of people who want to learn about this significant archaeological site of the Neolithic Saharan. The workshops students may participate in all activities covered within the meetings that will be held between the camps for Sahrawi refugees in Tindouf (Algeria) and Tifariti, symbolic capital of the Sahara released. The cost of tuition is 1,000 euros, including transfer from Madrid to Tindouf in regular flight, internal transport in 4 4 (camps and travel – roundtrip – to Tifariti), maintenance and accommodation, excursions and activities. The squares will be covered by strict order of registration, whose term ends on October 15, 2008. More information on workshops ARTifariti 2008 in, on the blog, or by contacting with the organization by phone 954274104 or email.



by yudaica2013 ·

She is from those wishing to change frames is that you want to change. Marcos is of those who want change. In the previous sentences, the second verb must agree with the relative pronoun that is subject of the subordinate proposition (that, those). This only happens with the three persons singular. If the subject of the verb be corresponds to one of the persons of the plural, the verb in the subordinate proposition must be consistent with that subject: we are of those who want change.

We are of those who work with enthusiasm. Ye are of those who want change. You are of those who want change. They are of those who want change. Errors: Corrections: I am one of those who fought.

I am one of those who fight. I am one of those who fight. I was one of those who I the result. I was one of those who they foresee the result. I was one of those who foresaw the outcome. You’re one of those who want to succeed.You’re one of those who want you are one that wants to succeed. In these sentences, the verb in the subordinate proposition can agree with the relative (who, which) or with the kernel of the attribute in which the proposition (one, one) is included, but not the subject of the verb be (I, you). Underlined only is well in sentences where the subject corresponds to the first or second person singular. Other grammatical persons gives the concordance follows: is one of those struggling or is one of those who fight, we are some of them that we are fighting, ye are ones that you struggle, you are one of those who are fighting, they are one of those who are struggling. In sentences that follow, however, supports the concordance with the main subject (I, you) as well as the relative (who, whom). This occurs in sentences in which the main subject is the first or second person singular: I am that I am sending you roses. I am sending you roses. I am that I love so much. I am that both loves. I am who you AMO. I am one who loves you. Thou art that you send. You’re the boss. It is you who decide. It is you who decides. With other grammatical persons the concordance is given as follows: is who sends, she is who sends, we are who sent, ye are those who travelled, you are who they send, they are those who send, they are those who send.


The Poet

by yudaica2013 ·

Poet, teacher by vocation (1854-1917). Throughout its existence, he knew how to show an original personality, harshness in saying, worthy of someone who knows the nature human, as its medicinal 7SONETOS exemplify. There the pace and intensity vary up to complete a whole of singular beauty.Not missed who said that it lacked aesthetic sense, but not missed those who saw in it, to the unjustly forgotten. The work of Almafuerte contains the preaching of a haughty behavior with the powerful, but pious, and open to the humble. Idealist and dreamer.

Strong and free. He raised daring images, bold metaphors, where not escatimaba fantasy, shapes that move away from the paths of romantic poetry, and whereas, therefore, can it be located among the precursors of the modernist movement. All of his work reflects the concerns of a spirit, accented tone sometimes philosophical which – in his time – have given rise to some contradictory judgments. The prose also knew of his pen, standing out Speeches and Evangelical, the latter the most representative of its kind. This sonnet, of my authorship, remembers it well: ALMAFUERTE art more reality. Verb with force. A titan of irreverent pen that knew how to flagellate, for being hurtful, and fought for life not scattered his loquacious projection was immersed in allusions free of mind, supporting the word, the voice that converses with consistent ink. He was always teaching and Council, also was freedom and even Sun to warm with faith, to the helpless.

Illusions wove with poverty. He battled from the plain and simplicity, thus clearing the path to oblivion. Today there are several generations who gather to applaud and remember that crying first that, with age, being turned into expressions of lyricism or cries of rebellion.An example of his pen is this fragment of the poem to freedom: as the same Fund of heaven the eternal Sun glittering rises, as turgent breast of a Virgin to the fire of life swells. I as well radiosa and so graceful, is it rose from the sea where lay the exuberant American Earth Rojas said:-stood by his natural talent to other areas, those of literary celebrity, what shines in Almafuerte, as with other poets of his time, is that natural talent that drew Rojas. In the absence of a rigorous aesthetic education, improvisation and the self-teaching, offset by an overwhelming, sometimes stormy inspiration, places him among the greats of the liberatura. In the anthology of the poetry Hispanoamericana (year 1934), already the Colace to Pedro B.Palacios between the definitive precursors of modernism, reconociento remaining in the manifestations of the old school, that involving didactic themes or morals that characterized the lyric of the second half of the 19th century.His work was recognized by the years, award this difficult to accomplish and much less retain. He learned the hard fighting from keep since, to not possess enabling title to exercise the Magisterium, the charges left without effect teachers, who have ever served. Faithful friends managed a pension that failed to perceive. Death found him, so, in 1917.