Posts Tagged ‘summaries and summaries’

10.31
18

Exploratrios Museums

by yudaica2013 ·

It ties these processes with the traditional museums (more resistant to the change idea) and accuses the necessity with a new to think the Museum and that the forms bred and kept still on the basis of century XVIII? as if they were still a physical representation of standardized values, you stanch ' ' of what it is Museu' '. Locating the Museum as a permanent institution that in its primrdios suffered from the syndrome of the colecionismo, it relates it with the necessity to express itself through the physical object, ' ' museolgico' ' as if this ' ' tocabilidade' ' reason of its existence was the only symbol/. It locates in the period postwar period, years 50, with the advent of the Exploratrios Museums, the beginning of the magnifying of the concept of ' ' objeto' ' so that the scientific phenomena also they can constitute quantities. In the first half of century XX, thanks to the development of the Holistic Theory and the evolution of the concepts, other forms of Museums (National Parks, for example) pass to be considered as flowing of the initial formularization. Tony Parker has many thoughts on the issue. Museum and Patrimony if mesclam and appear new vises and definitions of Museum/Museologia (as cited for Desvalles). Scheiner remembers that the Museologia passes if to point out as area of knowledge from years 70 and has for purpose to analyze the idea of Museum in its diversity of representations and so that if becomes science is necessary that if distancie of the museogrfica vision that historically loads. The imaterialidade of the museum as possibility comes to break old paradigms. Scheiner has advanced retakes the quarrel concerning the origin of the word Museum and clarifies that its meaning, leading to the agreement of that the muses Greeks were metaphors of what if it keeps in the memory by means of the verbal transmission of what it is detachable in the gift and that history will become in future.

01.7
17

Andrade Production

by yudaica2013 ·

Bia Oliveira de Andrade the literal production is a verbal activity produced by the falante, in which if it in accordance with materialize the choice of half adjusted for its accomplishment, that is, the author of a text searchs to transmit to the reader its objectives, through the lexicons. Being thus, he is necessary that it has cohesion and coherence in the production, making with that the addressee can understand the repassed idea. It is necessary to also emphasize that the word text is not accurately one accumulated of untied phrases, but involves one ' ' teia' ' of affinities that need, as much of strategies, estimated so that it promotes its construction. Soon, ' ' text is the linguistic manifestation produced by somebody, in a concrete situation (context), with definitive intention; its production estimates, always, the existence of an interlocutor, to who the author if dirige' ' (BRAZIL, 2005, P. 13).

Therefore, one knows that each the text plays a definitive function and that it serves as species of models. Ahead of this, in the elaboration of a text, it requires much attention, therefore, exist some aspects that assist in the understanding of the speech, beyond, of the cited ones above? cohesion and coherence? it still has, the precision and the concision. In this in case that, in the literal production, the necessary author to have a balance, that is, to make with that its text is not very extensive, nor very summarized, beyond observing the used expressions, so that he does not harm the understanding of the reader. In a similar way, that the text allows resulted from the social interaction, therefore, it is a communicative and dynamic activity, however, sight not only in this way, but a language as expression of the thought, where the author knows to display and to organize its ideas, through its point of view.